Archive for the ‘Communication Design’Category

FIT Exhibition Design Project: Food Opera

In my classroom I challenge my students to think beyond there own cultural beliefs and to expand the dialog of what globalization and culture means as applied to their ideation and design thinking. Here are a few examples of mindmapping/billboarding techniques used to jump start there projects. Below are several examples of students finished projects, billboarding presentations and team interactions.

Isabeal Maryland Crab presentation

Roni, Sarah and Sparky deep in thought

Dominka Polish Food expo, she incorporated poetic verses.

GLIDE10: Keynote presenter Audra Buck-Coleman from China

Stick + Stones project

Audra Buck-Coleman, is our first keynote speaker of the day, Coleman’s topic Identifying Potential Pitfalls + Windfalls in Collaborative Projects will definitely set the tone for what follows. She will address some major issues surrounding collaboration, and it consistent use as a  buzz word in higher education. Finally she proposes design educators develop more projects that foster critical thinking skills to make students better prepared for today’s creative working environments. Audra explores some of the pitfalls that exist with her projects, and investigates the advantages and disadvantages of working collectively across boarders with other cultures where English is not there first language.

How can design educators adept some of Audra’s rich skills and knowledge for collaborative projects?

What happens when language is a barrier to enhance collaborative critical learning outcomes?

Audra’s presents one project between Blacks students in  southern community and Mormons who came to realized they shared  more similarities then differences.

She proposes the following question to consider: When working on collaborative projects do your students know how to navigate through stereotyping issues with other ethnic, religious, gender based groups?

Audra proposes the following suggestions based on her collaborative experience of working with Students in China:

Chinese students prefer organized structured learning over US students flexible learning.

What is your Classroom Culture?

Are you well versed in the nuances of the culture?

How prepared are you for flexibility and improvisation in the classroom?

What are the benefits of the professors experience from collaboration?

Check out: Stick + Stones

THIS WEEK’S BUZZ: GLIDE10 + Global Bloggers

Sorry I took a little time-out, however I’m back with this week’s buzz. Eric Benson from the University of Illinois, in Urbana and I will be the quest blogger for GLIDE10, a virtual symposium taking place on 27 October, 2010, starting early at 8:30AM. Eric maintains renourish blog that focuses on sustainable design. We’ll be posting questions on our blogs, and twitting simultaneously during each presenters talk from all over the globe. This years theme focuses on indigenous design with line-up featuring a host of design intellectuals from around the world, such as Audra Buck-Coleman from China, Adream Blair-Early from USA, Dr. Li-Hsun Peng and Chia-Hsin, from Taiwan are among some of the distinguished presenters this year. Great you don’t need to travel anywhere far. It’s easy to register then throw back while you relax  at home in front of your computer, TV in your jammies, or office or classroom space and just listen.

Keep in mind none of my commentary postings directly reflect the opinions of the conference planning committee Audrey Bennett, Adream Blair-Early and Gloria Gomez. As a designer and educator I was asked to share my opinions and that’s exactly what I have done.

THIS WEEK’S BUZZ: Type designer Matthew Carter gets MACARTHUR

This is major step in the right direction in the sphere of Graphic and Type Design, for MacArthur Foundation to award Matthew Carter, a major Type Designer as one of the 2010 MACARTHUR Fellows. Carter is a masterful wizard in working with letterforms having had created over 6o typefaces,  he’s also the Co-founder and Principal of Carter and Cone Type . If you’re a type connoisseur you’re sure to want to send him words of praise. Read more about Matthew Carter on the Mac Arthur Foundation website.

27

09 2010

DESIGN: AIGA’s Design Journey Has Arrived

Check out AIGA’s Design Journey: You Are Here

This is a photo essay of the opening night celebration.

Above is a selection of photos which include mural design by Rafael Esquer of Alfalfa Studio, Exhibition Design by Marcos Chavez of TODO, group shot of 2010 graduates of D-Crit program Angela Reichers, Alan Rapp and Fred Duarto.

28

05 2010

DESIGN: Steve Mehallo Offers A Refreshing Spin On Design History

After recently reading this post on a design colleagues Ayana Baltrip blog, DESIGNSPEAKS, I decided this essay was definitely worthy to share, with my design friends too. Steve Mehallo, teaches at American River College and he decided to share his views on the best ways to teach and research Graphic Design History. I’m interested in hearing your thoughts about Mehallo’s essay, on how design history should be taught.

Read about Mehallo’s refreshing methods on, how he teaches Design History. His essay offers you a thorough review on many of the key design history books considered the best by lots of design educators. I’m not going to mention any of the design history books, since you’ll get to read all about them in Mehallo’s essay. Although Mehallo’s does give you his aesthetic reasons on which books are worthy, and which ones need to skipped. In addition, his essay offers a solid rationale why anyone who teaches design history should not solely depend upon one book, but develop their own research methodology to make this subject engaging. Otherwise once you start lecturing and showing slides, you might just get a lot of students sitting in your class with their heads bowed once you turn down the lights. Last fall, I started my second Master’s in the Design Criticism program at School of Visual Arts in NYC. As a design educator, who also loves teaching Design History, I must confess that teaching this topic is an arduous task. However, my design history instructor in the program, Russell Flinchum, taught our class with the rigor of a southern baptist minister on Sunday morning. All to say, none of my classmates dared to bow their heads once the lights were turned down. As for me I left Russell’s class with a more varied knowledge on the history of design, and a lot of new books to add to my already overloaded bookcases at home. (above photograph; by Steve Melhallo student Samantha Costanilla).

Read more about Mehallo on his blog: http://mehallo.com/blog/

So I’ve been teaching my version of ‘a history of graphic design’ for several years now. Just finished up my 9th session.

As a text, Philip B. Meggs’ landmark research book – History of Graphic Design, first released in 1984 – is the bible on the subject. Even the ‘making of’ has its own edition.

It’s the most thorough analysis, and one of the best graphic design reference books I own. But as Meggs points out in his introduction, it’s only the tip of the iceberg. There is so much more to discover, find, research and incorporate into one’s own view.

Finally, there is another book that just hit the market – The Story of Graphic Design by Patrick Cramsie. It tackles similar ground, but from another angle. A refreshing find. And from what I could tell so far, it syncs with my own classroom take on ‘The Story’ . . .

DESIGN: Rick Griffith Curates His First Love—Letterpress

Rick Griffith, Design Director & Principle at Matter is organizing, curating, and presenting: Pressed: An Exhibition of Letterpress Printed Ephemera along with few other forms of typographic mischief throughout Denver May 28th through July 4th.

On Friday the 28th of May Untitled #29: TYPO kicks off the weekend with Printing demonstrations, Spoken word, and various sorts of Typographic mischief that are sure to tickle senses throughout the night. The show opens at 7pm and runs until 10pm.

The following day the ABOUT FACE Symposia will be set into motion with two type related film screenings: Typeface, by Justine Nagan & Jack Stauffacher, and Printer by Jim Faris. The screenings will be followed by a Panel discussion lead by Nick Sherman of FontBureau & Woodtyper, Jim Sherraden & Brad Vetter of Hatch ShowPrint, Rick Griffith of MATTER and Tom Parson of Now it’s up to you publications.

Closing out the weekend on Sunday May 30th Pressed: An Exhibition of Letterpress Printed Ephemera will open to the public. The show will feature work from the Hamilton 10th Anniversary show, Hatch Showprint, and Works produced at the TypeLab/Rob Roy Kelly American Wood Type Collection.

On Point: Design Journey Mural by Rafael Esquer of Alfalfa Studio

I’m honored to be a part of such a creative group of 25 designers in the show Design Journey: You Are Here, set to open on 20 May, this week at AIGA in NYC. My good friend Rafael Esquer of alfalfa studio is busy racing against time to put the finishing touches on the mural for the exhibition.
Check out some of Raf’s sketches, better yet make sure to see the show to experience his amazing mural artistry.

I called Raf to offer my help along with some of his artist and designer to paint the mural on the wall in the AIGA gallery. And the entire process will be videotaped.

Below of are few more examples of the murals.

You Are Here opening reception: Wednesday, May 19, from 6:00–8:00 p.m. at the AIGA National Design Center. The exhibition was designed by TODA and will be open to the public from May 20 to June 23.

On Point: Social Media Revolution 2 (Refresh)

Just out.  While media moves through space quicker than superman, this new updated version of Social Media Revolution 2 differs drastically from last years outdated video, this version is fresher with new stats and graphics.
Social Media Revolution 2 is a refresh of the original video with new and updated social media & mobile statistics that are hard to ignore. Based on the book Socialnomics by Erik Qualman.
As reported by the SocialTimes Blog:
Socialnomics Revisits ‘Social Media Revolution’
Last August Erik Qualman, author of Socialnomics, introduced ‘Social Media Revolution’, an infographic video chock full of social media statistics.  The original video was a hit, with over 1.8 million views, but in the 9 months since it was released the world of social media has changed quite a bit and many of the statistics represented in the video have become outdated.  Yesterday, Socialnomics released a refresh of their video, new and improved with up-to-date social media and mobile statistics, facts and figures.
For more read the SocialTImes.

On Point: First Graphic Design Biennial Germany–Opens in China

I could not resist posting this amazing Graphic Design biennial featuring some of the most prolific international designers. Check out the poster design it’s an excellent example of the use of symbolism merging two cultures (Chinese and German).

The First Graphic Design Biennial Germany–China will open in Offenbach, Germany om May 12, 2010. More than 300 contemporary posters and 150 books, as well as numerous animations will be shown in the Am alten Schlachthof exhibition hall.
The best communication designers of China are coming to Germany to attend the opening. Amongst them will be Min Wang, designer of the Beijing 2008 Olympic Games graphic identity, and many world famous poster and book designers. Furthermore they will give lectures and presentations at the HfG Offenbach from May 10 to 12. The presenters include Bi Xuefeng (Shenzhen), Chen Shaohua (Shenzhen), Chen Zhengda (Hangzhou), Yang Liu (Berlin), Lü Jingren (Beijing), Sascha Lobe (Stuttgart), Eike König (Berlin), Song Xiewei (Beijing) and Wang Min (Beijing).
Additional information can be found on the official website www.biennale-decn.com

Below examples of Poster in Chinese and German